Curriculum Information by Marking Period
Benchmarks are assessed in the marking periods in which they occur. If a performance occurs in a given marking period, those benchmarks may be assessed in the periods around it.
1st Marking Period
Sing Independently
Sing independently
Can the student sing a two measure phrase response or song by themselves while maintaining the correct pitch intervals?
Dynamic Changes
Sing gradual and sudden dynamic changes
Can the student show large and small motor movement that correlates with loud and soft?
Dynamics with Conductor
Sing & play dynamics as indicated by conductor’s gestures.
Can the student sing and play correct dynamics from the conductor’s gestures?
Aural Identification
Identify instrumental sounds from a variety of styles and cultures.
Can the student identify the country the music is from or any of the instruments used?
Audience Behavior
Demonstrate audience appropriate behavior for the context and style of the music performed.
Can students act appropriately during musical performances in various settings?
2nd Marking Period
Instrument and Voice families
Define string, brass, woodwind and percussion families, as well as soprano, alto, tenor, and bass.
Identify male, female, and children’s voices when presented aurally. -Identify the instrument family when presented aurally.
Compare two vocal selections, thumbs up or down if it’s male or female.
Describe personal preferences
Describe preferences for musical works or styles in lay terms.
Roles of Musicians
Identify various roles of musicians in the United States.
3rd Marking Period
Create Melody
Create simple melodies
Can students, in small groups, write a new verse to a song they already know?
Create Mood
Create appropriate mood for a story by adding sound effects from a variety of sound sources and electronic media.
Identify Coda, D.C., D.S.
Identify coda, D.S., D.C, and verse and refrain when presented aurally.
Evaluate Performance
Evaluate performances and compositions with given guidelines.
4th Marking Period
Ostinato, Parter, Round
Maintain ostinato patterns in groups. Sing a round or partner melody in small groups.
Can the student maintain an ostinato pattern on an Orff instrument while the class is singing?
Improvise Responses
Improvise a response to a given rhythmic and melodic phrase.
Put children in pairs and see if they can create a pattern of call & response rhythmically.
Rhythmic Accompaniment
Create rhythmic accompaniment to classroom songs.
Can the student play a rhythmic accompaniment on rhythm instruments?
Perceptual Skills
Demonstrate perceptual skills by moving, answering questions and by describing aural examples of various styles representing diverse cultures.
Can your students describe verbally the differences in various styles of music?
Jazz Genre/Classical Era
Identify aural examples of music of two different genres of jazz and two different periods of classical music.

